How to Play Bass Guitar for Newbies

• If you've just picked up your first bass guitar and are looking for some help learning basic playing techniques, patterns and theories, there are a few things you should know in order to start playing bass like a pro.

  
  Many famous and successful bands have a bass guitar in their ranks. Whether it's providing the low-end notes that help fill out the band's sound or the rhythmic pulse that propels the music forward, the bass is often the glue that holds the music together. If you're thinking about learning how to play the bass guitar, then you should be excited to know that good bass players are always in high demand. And while mastering the bass guitar may take years of practice and playing, there are a few tips that should give you a solid foundation from which to build your knowledge of bass guitar technique and theory.

• Bass Guitar How to Guides

• Get to Know Your Bass

  If you're just starting to learn how to play the bass guitar and you've been given one as a present or are borrowing one from a friend, then you're probably looking at it and wondering what all the different parts are for and how it even works. If you know how to play guitar, then you have a basic idea of how a bass guitar works. But if you don't, here is some information to help you get to know your bass:

• Strings

  • The bass guitar is a string instrument (much like a Violin, Ukulele, Banjo, or a regular Guitar) in that it uses the vibrations of its strings to produce sound. A standard bass guitar has four strings, each of which is tuned to a different note value. In standard tuning, the strings on a bass guitar are tuned as follows: E (Thickest string and closest to your chest when playing) - A (Slightly thinner than an E and the second closest string to your body) - D (Thinner still and the third string away from your body) - G (Thinnest string and the one closest to the ground). For the purposes of future exercises, we will also refer to these strings as 4 (E), 3 (A), 2 (D) and 1 (G).

• Frets

  • While the strings divide the guitar from left to right, frets are small metal strips that divide the guitar into sections from top to bottom. If you look at your guitar from above, you can begin to see that the strings and frets together form a kind of grid that covers the entire neck of the guitar. Placing your finger on a string in between two of the frets is what enables you to play a note. The higher up you get on the frets, the higher the notes sound. Generally, each fret is a half-step higher than the previous fret.

• Amplification

  • Unless you're playing an Upright Bass or an Acoustic Bass Guitar, you're going to need some sort of amplification in order to hear the sounds that are coming out of your instrument. In the same way that an Electric Guitar uses a Pickup to capture the vibrations of the strings and an amp to convert them into sound, a bass guitar also needs an amplifier so that the player can hear what they're playing. If you already have a bass amp, then you're ready to go. If not, you need to go out and get one. Although it is possible to play a bass guitar through a normal guitar amp, the sound quality will be greatly reduced and you will risk damaging your amp. Amplifiers that are made specifically for bass guitars usually have larger, heavy-duty loudspeakers to compensate for the low-frequency sound waves that a bass guitar produces.

• Other Features of the Bass Guitar

  • Body: The large base of the guitar (usually the most bulky part) that is attached to the neck.
  • Neck: The long, skinny part of the guitar that holds the frets and strings and where the fingers are placed in order to play individual notes.
  • Headstock: The top-most part of the bass on which the four tuning pegs are located.
  • Nut: The small piece of material that is found where the headstock meets the neck. There are usually four small grooves carved out in order to guide the strings up to the tuning pegs.
  • Tuning Pegs: Hold the strings in place and allow the player to adjust the pitch of the string.
  • Pick-ups: Metal strips that capture the vibrations of the strings and help convert them into electrical signals that are then amplified. Located on the body.

• Notes on the Bass Guitar How to Guides

• Lesson 1: Basic Techniques

  • Now that we've learned the basic parts of the bass guitar, we are ready to start learning some of the basic techniques that you will need to know in order to start playing. Again, if you know how to play guitar, then some of this you will already know. For everyone else, here we go:

• Holding Your Bass

  People can develop bad positioning habits that can make it harder for them to learn to play (as well as causing long term back and shoulder problems).http://www.guitarnoise.com/lesson/posture/³

  
  Here are some tips for how to hold your bass guitar:

  
  

  • 1. Whether you're standing up or sitting down, always use a guitar strap. This will allow your back and shoulders to carry the weight of the guitar so that your hands are free to move up and down the fretboard.
    2. Adjust your strap so that the bass falls at a comfortable level across your chest. In general, your bass should be at about the same level as your belly button.
    3. Pay attention to your posture. Keep your back as straight as possible and try not to slouch or bend over when playing.
    4. If you are sitting, the seat height should allow for your feet to be flat on the ground. Adding a foot rest is even better. http://www.guitarnoise.com/lesson/posture/⁴
    5. If you are right-handed, then the headstock should be to the left (opposite for left-handers). Take a look at the strings on the guitar. If you are holding it correctly, the thickest string (E) should be closest to your chest, while the thinnest (G) string should be closest to your feet.
    6. Take your fretting hand (left for right-handers and right for left-handers) and grip the neck of your bass gently. Your thumb should be resting behind the neck of the guitar, supporting your hand while your other fingers float above the strings, ready for action.

• Fretting

  • The term "Fretting" refers to the action that your fingers make as they hold down different strings on the fretboard in order to play notes. With your thumb behind the neck and your fingers poised above the fretboard, you are ready to start fretting different notes on the neck. While we won't get into the specific notes that you are playing just yet, this is a good time for you to experiment with how it feels to hold down each of the strings. Here are some tips for fretting.

  
  

  • 1. Make sure that the fingernails on your fretting hand are trim. Long fingernails can get in the way of you holding down each string completely.
    2. When trying to play a note, make sure that you press down on the string in between frets rather than on them directly. This will produce the true sound of the note.
    3. Instead of holding down the string with the tip of your finger, try using the larger finger pad right below. This will make it easier for you to hold the string down firmly.
    4. Holding down the large bass strings may be difficult (or even painful) at first, and may even start to give you blisters. Don't worry. This is completely natural. After a while, your fingers will become stronger and develop calluses (thicker skin), making the fretting process much easier.
    5. Practice fretting strings with each of your fingers. While it may be tempting to do everything with your index finger, the rest of your fingers need strengthening as well.

• Plucking

  • The term "plucking" is often used to describe the action of the fingers on your other hand as they "pluck" each string in order to create a sound. While some bassist may use a pick to play the strings, the most common form of bass playing is done with the fingers directly. While there are certainly much more advanced plucking techniques to be learned in the future, here is a basic description of how to start plucking the bass strings.

  
  

  • 1. Hold you plucking hand limply over the strings with your palm towards the instrument.
    2. Place your thumb on the side of the Pickup that is closest to the neck. Your thumb will work as an anchor while your other fingers pluck the strings.
    3. Take your index finger and let it roll over the top of the E string, pulling it slightly towards you as you let go of the string. Repeat this a few times until your plucking motion is smooth and the note rings out true.
    4. Repeat this exercise using your middle finger to pluck the A string. While you can use any of your fingers (except your thumb) to pluck the strings, you will primarily be using your index and middle fingers for this purpose.
    5. Try alternating between using your index finger to pluck the E string and your middle finger to pluck the A string. Don't try to go too fast. Just try to make it sound as clean as possible.

• F & G Note How to Guides

• Lesson 2: Playing Notes

  • Now that we understand some of the basic techniques involved in bass playing, we can begin to start playing and learning the various notes that can be played on the bass guitar. We will start with a brief exercise to let you get the feel of playing individual notes, and then we will move on to learning how to identify which notes you are actually playing (and how to find them).

• Playing Notes

  • 1. Start by plucking the 4th string (the one closest to your shoulders) without using your fretting hand at all. This will produce an E note. Playing a string without fretting any of the notes is called playing it "Open".
    2. Next, move down the strings and play each individual one "Open." This will produce the notes A, D, G respectively. Notice how each one sounds a little bit higher than the one before.
    3. Now, go back to the 4th string and place the index finger of your fretting hand on the first fret (the initial space between the nut and the first fret). Hold down the note with the pad of your finger. While holding your index finger down firmly on the first fret, use the index finger on your plucking hand to pluck the 4th string. If done correctly, the sound produced should be slightly higher (by a half-step) than plucking the 4th string alone.
    4. Next, move your finger up another half-step to the second fret (the space between the first and second frets) and pluck the 4th string again. This should produce a slightly higher pitched sound than the one before.
    5. Repeat this exercise with each of the strings. Start by playing the string open, then with your finger on the first fret, and then again with your finger on the second fret. If the notes start to sound muffled, off-key, or just plain bad, take a look at your fretting finger to make sure that you are holding down the note firmly and your finger is placed directly in the center of the fret. Do this until you are comfortable making individual notes.

• Note Positions on the Bass Guitar

  • Each of the individual notes that you have just played have a specific note value attached to them (i.e. the "Open" E string has a note value of E). Also, each time you moved your finger up or down a fret, the note value changed as well. Note values are what musicians use to let themselves know where on the neck they need to play in order to produce a certain note. Without getting too deeply into musical theory, we will use a description of the basic musical alphabet to help you learn to identify where every note falls on your bass guitar.

  
  

  • • The Musical Alphabet: In Western music, there are 12 different notes that can be played. They are:

  
  

  • • A | A# | B | C | C# | D | D# | E | F | F# | G | G#

  
  

  • Each note is a half-step higher than the one proceeding it and a half-step lower than the one following it. In terms of the bass guitar, a half-step is equal to one fret, meaning that every time you move your finger up one fret - the note value increases by a half step (i.e. If you start on an A and move up one fret, then you have moved a half-step higher to an A#).

  
  

  • As you can see, as you move higher up on the fretboard, the note values increase by a half-step for each fret. This makes it easy to find any note you want to on the fretboard. All you need to do is to figure out which note you are on - and you can then move up or down the neck until you reach the note you're looking for.

• Practice Lessons

  • Before you move on to the next lesson, take some time to practice playing each of the notes on the fretboard.

  
  

  • 1. Start by playing and identifying the notes on each individual string. Play each note in succession, moving up the neck until you've reached the body of the bass. Say each note aloud as you play it (# is called a sharp - so A# would be called A Sharp).
    2. Next, try playing all of the ascending notes in order by moving up to the next string each time you reach the 5th fret.
    3. Once you've completed each of these lessons, try doing them backwards in descending order.

• Lesson 3: Playing Scales

  • Now that we have a clear understanding of where each of the notes on the fretboard is located, we can begin to put them together into patterns known as "Scales". A scale is basically a specific group of musical notes that work together to produce a distinct sound or feeling. Scales are used to help organize musical ideas and to give musicians a framework for composition and improvisation. Besides helping to strengthen your fingers and improve your dexterity, learning scales can also help improve your understanding (and feeling) for the intervals between different notes and the relationships between them. In this lesson we will go over a few of the most basic scales for the bass guitar:

• The Chromatic Scale

  • The chromatic scale is probably the most basic scale in Western music and includes all twelve of the musical notes. The chromatic scale moves up in half steps (much like the exercises in the previous lesson) from the designated root note to its corresponding note one octave higher. While you can use any note as the root note (i.e. A Chromatic, B Chromatic, C# Chromatic), we will use E in the following exercise.

  
  

  • 1. Start by playing the 4th string "Open". This is an E and will be the root note for this scale.
    2. Next, use your index finger to hold down the first fret on the 4th string and play the note. This is an F note.
    3. Move up a half-step and play the F# note with your ring finger.
    4. Move up another half-step and play the G note.
    5. Move up another half-step and play the G# note.
    6. Repeat and play the rest of the notes in the E Chromatic Scale. Take note of the fact that you are ending on the same note (E) that you started on, albeit one octave higher.

  
  

  • Alright, you've just played your first scale. Congratulations! And while this may not be the most musical sounding scale, it does form the basic from which many other scales are constructed. If you're feeling brave, go ahead and try to play this scale using different notes as your root.

• The Major Scale

  • The Major Scale is one of the most important scales in music and should be instantly recognizable to anyone with even a passing familiarity with music (Do, Re, Mi, Fa, Sol, La, Ti, Do - anyone?). The major scale has a bright, upbeat quality to it and helps form the basis of songs that are built around major chords. While the Chromatic Scale uses only half-steps in its construction, the Major Scale uses a combination of whole and half-steps. Note: A whole step equals two half-steps - or two frets.

  
  

  • Here is how to play the Major Scale using E as your root note:
    1. Play the 4th string "Open"
    2. Play the 4th string, 2nd fret
    3. Play the 4th string, 4th fret
    4. Play the 3rd string "Open"
    5. Play the 3rd string, 2nd fret
    6. Play the 3rd string, 4th fret
    7. Play the 2nd string, 1st fret
    8. Play the 2nd string, 2nd fret

  
  

  • Notice that the note that you finish up on is also an E, meaning that you have completed the E Major Scale. Again, if you're feeling bold, try using the formula above to figure out the major scale using different root notes. This may be difficult at first, but if you understand the pattern then it gets much easier.

• Sharp Notes on Bass Guitar How to guides

• The Minor Pentatonic Scale

  • The Minor Pentatonic Scale is one that is commonly used in Blues and Rock & Roll. Just as minor chords have a darker, sadder musical quality to them, the minor scale also gives off a moody, solemn vibe. As opposed to the Chromatic Scale (which has 12 notes) and the Major Scale (which has 7 notes) Here is how to construct the minor scale (again using E as the root note):
    1. Play the 4th string "Open"
    2. Play the 4th string, 3rd fret
    3. Play the 3rd string "Open"
    4. Play the 3rd string, 2nd fret
    5. Play the 2nd string "Open"
    6. Play the 2nd string, 2nd fret

  
  

  • You may begin to hear hints of a blues progression as you play this scale. This is because the minor pentatonic scale is the most commonly used scale in blues. Once again, if you're feeling adventurous, try playing the minor pentatonic scale using different root notes.

• Practice Lessons

  1. Once you have mastered playing each scale from top to bottom, try playing it backwards by starting on the last note of the scale and playing in reverse order back to the first note.
  2. Practice each of these scales for at least 15 minutes or until you are confident enough to move on to the next one.

• Lesson 4: Playing Patterns

  The next step in learning how to play the bass guitar is to start to understand chord patterns and how a bassist uses them to compliment and emphasize the music that is being played by the other musicians.

  
  One of the main responsibilities of a bass player is to provide a solid harmonic foundation for the chords that are being played by the rest of the band. If you aren't already familiar, the musical concept of harmony means that there are multiple notes being played at the same time. When listening to harmony, your ears tend to focus on the lowest sounding pitch that is being played (which is usually the bass note). That is why it is important for you, as a bass player, to understand how chord patterns work and how playing the correct notes at the right time can dramatically improve the overall sound of the entire band.

• Understanding Chords

  Unlike guitar or piano players, bass players rarely play whole chords themselves. This is because multiple bass notes played together can produce a muddy, convoluted sound (due to their low frequency). But just because bass players don't play chords, doesn't mean they don't need to understand how they work and how the notes that they play can augment the chords that are being played.

  
  The way that a bass player contributes to the chords that are being played is by helping to outline or frame the chords with respect to the root note. For instance, if a guitarist is playing a C Major Chord (which uses the notes C, E and G), then the bassist can help emphasize the sound of the C chord by playing the C note. Because the C chord also contains the notes E and G, the bassist can also play either of those notes as well (although they will change the overall flavor of the chord slightly).

• Understanding Root Notes

  The Root Note (as its name implies) is the foundational note upon which each chord is built.http://www.studybass.com/lessons/common-bass-patterns/roots-to-chords/⁵ As in the example above, while the C Major Chord is made by playing the C, E and G notes, the Root note is the C. Root notes are relatively easy to determine. In general, the root note of any chord shares the same name as the chord itself (i.e. The root note of G Major is G, the root note of A Minor is A).

  
  While bass players can play many different notes in order to help frame a chord, there are many instances in which a bass player will need only to play the root note of each chord in order to appropriately fill out the sound. While identifying the root note of a chord may not be difficult, it just as important to be able to find that note on the fretboard (see previous lessons).

• Simple Bass Patterns

  • Now that we understand a little bit about the role of the bass in framing chord patterns, we can begin to start looking at a few of the most common types of patterns that bassists often use.

  
  

  • • Octave Patterns: Even if you've decided that it's best for you to concentrate on playing the root note of each chord, you don't need to just sit on the same note the whole time. This is where octave notes can come in handy. In simplified terms, an octave is the space of 12 notes in between two notes of equal value.http://www.studybass.com/lessons/common-bass-patterns/octaves/⁶ For instance, if you are playing the root note F, simply move up 12 half steps until you've reached the F that is one octave higher than the one you started on. While the two notes may sound identical, the difference in frequency between the two notes can help create an interesting dynamic when you move back and forth between the two (instead of just playing the root note).

  
  

  • • Root & Fifth Patterns: Another note that is often used (along with the root and octave notes) in order to create a simple bass pattern is the Fifth Note. We call it the fifth because it is the fifth note in the scale. The reason the fifth note usually sounds good when placed in a pattern with the root and octave notes is that the fifth note is one of the notes that forms the chord which is being played.http://www.studybass.com/lessons/common-bass-patterns/roots-and-fifths/⁷ Try experimenting with adding the fifth note to the root and octave notes in order to create a simple pattern that can be played over the chord.

  
  

  • • Root, Fifth & Sixth Patterns: Once you've are comfortable finding and playing the root, fifth and octave notes of a particular chord, you can add another note to your repertoire: The Sixth Note. While it may not be a part of the chord that is being played, the sixth note can help add some melodic flavor to your bass lines and give some variety to your playing. To start out with, try inserting the sixth note after the fifth in your pattern. This will give your bass pattern a lighter, more upbeat quality.

• Practice Lessons

  1. Start by practicing finding the root, fifth, sixth and octave notes for all of the various chords that you might be playing. Try to recognize the patterns that emerge so that you can automatically identify them without using this guide.
  2. Practice each of the bass patterns discussed above by moving back and forth between each of the notes in the pattern. Experiment with playing them in different orders as well.
  3. Listen to music with a prominent bass line and try to listen exclusively to the notes that the bass player is using to form the bass pattern.
• 
  

• Lesson 5: Understanding Rhythm

  • Other than providing the melodic foundation for the band, a bassist's other main function is to help establish and support the beat or rhythm of the music. Together, the bassist and the drummer form the "Rhythm Section" of the band, meaning that they are responsible for creating the rhythmic foundation that the music is built upon.
  • 
    The importance of rhythm in music cannot be overstated. Rhythm is what lets you know when to tap your feet, nod your head, or clap along with the music. Rhythm is what makes you want to dance, tells you how to dance, and helps you feel the music (rather than just hear it). And while you may have heard that rhythm is something that certain people are born with and other people aren't, this is far from the truth. With a little practice and a good feel for music, anyone can learn how to develop good rhythm and use it to improve their playing. Here are some things that you can do, as a bass player, to help understand and develop your sense of rhythm:

• Listen to Music

  You probably already do it every day, but listening to music is one of the easiest and most enjoyable ways to help develop your sense of rhythm. But instead of just passively listening to a song, try to concentrate specifically on the beat of the music and how the bass is being used to establish the rhythm.

  
  

  1. Try to listen to music that has a strong and steady rhythmic pulse. Genre's such as Rock, Funk and Soul usually have a solid rhythmic basis to them, so they are always a good place to start. At first, avoid music with complex rhythms (i.e. Bebop Jazz, Salsa, or Polyrhythmic African Drumming), as they may be harder to figure out. However, depending on your personal learning style, and experience with music in your lifetime, listening to any music that appeals to you will help you as you focus on developing rhythm.http://www.myharpsdelight.com/learning-styles.html⁸
  2. Whether it's tapping your feet, clapping your hands, or just bobbing your head, try to follow the beat and the rhythm of the music with some sort of physical movement. The more practice that your body has at following rhythm, the better equipped it will be to carry that over into your bass playing.
  3. Once you feel that you've gotten the rhythm of a specific song down, try turning the song off and see if you can continue to tap out or clap the rhythm at the same tempo. After 30 seconds or so, turn the song back on to see if you were able to duplicate the original rhythm.

• Use a Metronome

  • One of the most important tools that any musician can use to help develop their sense of rhythm is a Metronome. A metronome is a small electronic device that emits a steady audible pulse (usually a clicking sound) at a specific tempo or speed. Musicians will then use the accurate tempo of the metronome to keep time while they practice playing scales, songs, or anything else that might require a steady beat. Here are a few tips for finding and making the most of your metronome:

  
  

  1. Buy a Metronome
  2. If you don't feel like going out and buying an electronic metronome, there are a number of free online metronomes that you can use insteadhttp://www.metronomeonline.com/⁹
  3. Start practicing with your metronome by putting your bass down and just clapping along with the beats. If you can still hear the clicking sound of the metronome as you clap along with it, then you are out of rhythm. Since the sound of your clap should drown out the click of the metronome (when you are on the beat), practice this exercise until you can't hear the click of the metronome at all.
  4. Count along with the beats of the metronome: One-Two-Three-Four-One-Two-Three-Four. While not all rhythms will have four beats in them, this is the most basic time signature in music and a good place for beginners to start.http://www.studybass.com/lessons/reading-music/time-signatures/¹⁰
  5. Start practicing with your metronome set to a relatively slow speed (60 Beats Per Minute) and increase the tempo gradually as you become more confident.

• Play With Other People

  • While this may not be the best idea when you're just starting out, playing music with other people (especially drummers) is one of the best ways to develop your sense of rhythm. Because musical collaboration requires you to pay attention to the rhythm of your fellow players (instead of just yourself), it can help you become more aware of the ways in which musicians must work together to create a solid rhythm.

  
  

  1. When playing with a group of musicians, pay closest attention to what the drummer is doing when figuring out the rhythm. Since he/she is the other half of the rhythm section, the interaction between you and the drummer is crucial.
  2. If you've never played with other musicians before, it can often be a tough transition to make. Try to be patient with other people and realize that you will need to learn how to play with them rather than the other way around.
  3. If you aren't confident enough to play with other people yet, your metronome can act as a surrogate drummer.

• Lesson 6: Practicing

  Learning to play an instrument involves a large amount of practice and personal commitment, and the bass guitar is no different. Knowing how and what to play is only half the story. You also have to spend the time it takes (and it does take a lot) to learn all of the possible notes, scales and patterns as well as understanding the role of the bass and how it fits in with the other instruments in a band.

  
  Here are some tips and suggestions for making your practice sessions more productive and useful:

  
  

  1. Set out a few minutes each day (15 - 30 minutes) to practice in an environment that allows you to fully concentrate on your playing. Don't have the television on and don't have music playing in the background (unless you are trying to learn a song).
  2. Stretch out your fingers, hands and arms before playing. When you first start learning the bass, your fingers and wrists may begin to hurt (because they aren't used to the strain of having to hold down strings). This is normal. The more you play, the stronger your fingers and wrists will be.
  3. When practicing, start out with the easiest exercises first and then move gradually into more difficult patterns. If you start out with the toughest pieces first, you may get frustrated and not want to continue.
  4. Make sure to pay attention to your posture when practicing and try not to slouch over your bass. Because of the weight and size of the bass, many bass players develop back problems after years of practice because of the bad posture habits that they developed when they were starting out.
  5. Make sure that you have a strong grasp of the concepts in each lesson before moving on to the next one. While you may be tempted to skip or rush through the simpler lessons in order to get to the more interesting and difficult ones, mastering the simpler concepts and skills is typically necessary before learning more complex ones.

• Conclusion

  Whether you are a musical novice who wants to start learning music on a fun instrument, or a seasoned guitar player who wants to expand their knowledge and versatility, the bass guitar is a wonderful instrument that can provide you with hours of enjoyment. So grab your bass, stretch out those fingers, and prepare to get down with the "Low" end!

Scales and Arpeggios

Large illustrations make this book easy to follow.
As you see in the picture, every scale shows its Triads and Arpeggios.
It also includes several exercises for each scale.

Here is an example of the Scales included:

• Ionan • Dorian • Phrygian • Lydian • Mixolydian • Aeolian • Locrian • Major and minor Pentatonic • Blues Scale • Minor Harmonic • Minor Melodic • Natural Minor • Symmetrical Diminished Whole/Half • Symmetrical Diminished Half/Whole

How To Read Drum Tabs
Reading Drum Tabs
A ‘Drum tablature‘, also known as ‘drum tab’ is a tablature in use for drums. To read drum tabs follow the example below:
H |-xxxxx-x|xxxxxxxx|-xxxxxxx|xxxxxxxx|-|
S |--oo--o-|--oo--o-|--oo--o-|--oo--o-|-|
B |o---o---|o---o---|o---o---|o---o---|o|
CC|x-----x-|--------|x-------|--------|x|
CC|-Crash Cymbal----|
HH|-Hi-Hat----------|
Rd|-Ride-Cymbal-----|
SN|-Snare-drum------|
LT|-Low-Tom---------|
HT|-High-Tom--------|
FT|-Floor-Tom-------|
B |-Bass-Drum-------|
Hf|-Hi-Hat-w/foot---|
Some alternative lines:
CR|-Crash-Ride-Cymbal--|
RC|-Ride-Cymbal--------|
S |-Snare-drum---------|
T1|-Tom-1-(high-tom)---|
T2|-Tom-2-(low/mid-tom)| Tom 1, Tom 2 etc. can be continued to as many toms as you have.
F |-Floor-Tom----------|
BD|-Bass-Drum----------|
Generally there will not be that many lines during verses; the above is more common during fills. For example in verse there may be only 3 lines (bass, snare, and HH), while during chorus HH is replaced with RD, symbolizing a ride cymbal. Also, what to use to symbolize the drum can vary from tab to tab (eg. using ‘t’ for LT).
Additionally, there are symbols to depict how the tabs should be played:
Cymbals:
|-x-| Strike Cymbal or Hi-Hat
|-X-| Strike Loose Hi-Hat, or hit Crash Hard
|-o-| Open High Hat
|-#-| Choke Cymbal (Grab Cymbal With Hand After Striking It)
|-s-| Splash Cymbal
|-c-| China Cymbal
|-b-| Bell of Ride
|-x-| Click Hi-Hat With Foot
Drums:
|-o-| Strike
|-O-| Accent
|-g-| Ghost Note
|-f-| [[Flam]]
|-d-| Drag
|-b-| Soft One-Handed Roll
|-B-| Accented One-Handed Roll
|-@-| Snare Rim
Unlike guitar tabs which often fail to accurately represent timing information, drum tabs usually describe timing information very accurately.
Drum Notation
Notation of percussion instruments
Percussion notation conventions are varied because of the wide range of percussion instruments. Percussion instruments are generally grouped into two categories: pitched and non-pitched. The notation of non-pitched percussion instruments is the more problematic and less standardized. Non-pitched percussion notation on a conventional staff once commonly employed the bass clef, but a neutral staff of two parallel vertical lines is usually preferred now. In drum tabs, it is usual to label each instrument and technique the first time it is introduced, or to add an explanatory footnote, to clarify certain notes in a tab. Below is an example of drum set notation (aka drum tabs):
Drums


Cymbals


Dynamic accents

How to Read Drum Tabs Quick Start Tutorial
Drum Notation (or Tabs) are represented in lines that are called measure lines or bar lines, and the space between any two of these vertical lines is called a measure or a bar. The notes and rests will now be seen within a measure, like words in a sentence. A drum part (or pattern, as you’ll sometimes hear it called by drummers) is made up of a measure or a group of measures, like sentences in a paragraph.

Working with measures in drum tabs is very important when discussing specific parts of songs. You can count measures in a pattern or song and name them according to their corresponding numbers. For example, you can now refer to “the third measure’ or “measure 312,” and so on. Measures themselves vary in length according to rules that are set down at the beginning of a piece of music, called a time signature. A time signature looks like a fraction. Let’s look at a time signature:

This time signature is called four-four and is the most common for most of the styles of music that you’re likely to want to play. The top number of the time signature tells you how many beats there are in a measure. A beat is simply the musical term for a drum tabs part. All the parts of a measure are equal in length of time, kind of like how a football game has four quarters that are all of an equal time length. You will now also be able to name the beats of a measure with numbers in order. For example, if you want to talk about the third part of a measure, you would say “beat three.” The bottom number of the time signature tells you what kind of note will equal the length of one beat-the number four in this case, indicating a quarter note.

So, the two important bits of information that a time signature of 4/4 tells you is that there will be four beats per measure (the top four of the fraction) and that a quarter note will equal one beat (the bottom four of the fraction). So, a measure of 4/4 with four quarter notes in it looks like drum tabs below:

You can fit only four quarter notes in a measure of 4/4, and since two times four is eight, you can fit eight eighth notes in a measure of 4/4, that’s why it’s called an eighth note. (drum tabs example below)

You can give each eighth note its own name, just like you did earlier with quarter notes. However, instead of naming each eighth note in a measure with its own number (1, 2, 3, 4, 5, 6, 7, 8), we will name them like you see in below picture, using the symbol + in between each number (1+2+3+4+).

You pronounce the + symbol as the word “and.” So, if you wanted to count out the eight notes in a measure, you would say “one-and-two-and-three- and-four-and.” Eighth notes are played twice as fast as quarter notes. Let’s use a metronome to demonstrate this. Take your metronome and set it at 66. (The numbers on your metronome represent tempo, the musical term for the speed at which you’ll play something. The number 66 means that you’ll play something at 66 BPM, or 66 beats per minute.) Listen to the metronome click at 66 BPM, and imagine that each click is a quarter note.
Count Along the Drum Tabs You Are Reading
Now, count along to the clicks from one to four, and then back through one to four again, and so on, like this: One, two, three, four, one, two, three, four. This represents the speed at which quarter notes are played at this tempo. So, if you want to figure out how eighth notes would sound at this tempo, all you have to do is continue to count from one to four at the same speed as you did earlier, and simply add the word “and” between each number, like this: One and two and three and four and one and two and three and four and. This is how eight notes will sound at this tempo.